Divine Beauty Project

Birmingham, West Midlands

Birmingham Cathedral is a Grade I Listed building designed by Thomas Archer in 1709 and the Edward Burne-Jones designed stained glass windows constructed by Morris & Co. are its principal treasures. The conservation techniques applied in the restoration of these stained-glass windows represent a model of meticulous planning, expert collaboration, and sensitivity to historical authenticity. This initiative has not only preserved the artistic and architectural heritage of a Grade I listed building but also enhanced its role as a cultural and spiritual hub for the community. At the heart of this project lies a commitment to the principle of “as little as possible, as much as necessary.” By stabilising paint loss, repairing cracked panes in situ, and improving past subpar repairs, the team ensured the windows' structural integrity while maintaining their original craftsmanship. Conservation cleaning revealed the vibrant depth of colour in the stained glass, transforming the nave and elevating the aesthetic and spiritual experience of the space. The decision to forego external protective glazing, supported by rigorous environmental studies, reflects a thoughtful balance between preservation and minimising visual impact on the cathedral’s Baroque façade. The collaborative approach was another highlight. Involving experts from both the U.S. and the U.K., as well as local craftsmen, ensured that every aspect of the project was informed by the highest standards of art historical and technical expertise. The discovery of previously concealed stained-glass fragments during the restoration added a new dimension to the cathedral’s history, linking it to other projects and broadening its cultural significance. The replacement of unsympathetic modern panels with designs echoing the historic workshop fragments exemplifies the project's attention to detail. This not only restored harmony to the overall composition but also reinforced the narrative continuity of the windows’ artistic legacy. The installation of carefully designed protective grilles demonstrated sensitivity to the building’s architectural integrity, addressing practical needs while enhancing the external and internal perception of the Baroque architecture. The benefits of this project extend far beyond technical achievements. By preserving and showcasing the internationally significant work of Edward Burne-Jones and William Morris, the project has elevated the cathedral’s identity and the community’s pride in this cultural treasure. The accompanying conservation management plan provides a robust framework for future stewardship, ensuring the cathedral’s legacy for generations to come.

Judges’ Comments:

“The Divine Beauty Project successfully blends technical precision with artistic reverence.”